Empty

Emptied, with no road to travel, without horizons to explore,
the weary wanderer sits down on a tree trunk,
ready to freelance wisdom to any sympathetic ear.

"Happy are those who neglect vanity,
for they shall be freed from extraneous desire."

"Ebullient are those who embrace tragedy,
for they shall be able to forget."

"Elated are those who shun flattery,
for they shall understand the importance of limits."

"Empty are those who believe in the impossible,
for they shall not be spared leaden disappointment."

On the verge of madness (XII)

Dear Diary,

I woke up with a familiar sense of dread. I dreaded waking up to an empty bed. And of course my thoughts turned to her. But it hurts too much to even write her name - hence I won't. When I close my eyes, I see dark infinity backgrounding an incandescent trace of her lovely face. I then take deep languorous breaths - trying like hell to capture moribund desires and expel them in a cleansing sigh. It never works. I continue to think those impossible thoughts - those recollections anchored to my dreams of her.

I'm out of her life and that is my bottomless reservoir of torment. I love her. I love her and only her. One cannot control who they fall for, even though sometimes they try mightily to resist.

I'm done. I can't continue on. I've tried to "move on" - oh how I have! But does "moving on" - and all that trifling ubiquitous platitude encompasses - require such an exhaustive, almost Herculean, effort? Bounding from one empty encounter to the next, I have emptied myself of lust. I cannot fathom waking up to another ersatz lover wishing it was her instead. I want only love. But no more. I can't have it. She's gone.

Ah, I wish I could move on. I wish I wasn't haunted with these accursed thoughts. But I am. I am still anchored to the past. The past refuses to let me go. It shall surely lead me, despondent and morose, into the depths of madness...

On the verge of madness, I cannot return.

On the verge of madness, thoughts of my darling torments me.

On the verge of madness, what shall I do? Shall I chase after a specter? Shall I sit here and slide into the depths of insanity. What can I do? Can I do anything at all?

On the verge of madness, I dream of her. I dream of fulfillment. I dream of meaning.

On the verge of madness, I am nothing. I am empty. I am incomplete.

On the verge of madness, she will push me over. She, an elusive wondrous apparition, shall lead me hand-in-hand...into our abyss.

Broke Boy must perish. Broke Boy must die. J.

As a boy, I dreamed of going into space one day and collecting stars with the Little Prince. I dreamed of swimming along outer arms of the Milky Way. I dreamed of wading through infinities after infinities to find God and Buddha playing Bohemian Rhapsody on violas. I dreamed of vast eternal darkness and what mysteries it would yield to an inquisitive mind. I dreamed of weightlessness most of all - to be freed from earthly bounds. I dreamed of floating away.

Jorge reminded me of that would-be celestial traveler. There was an obstinate optimism hidden below his despondent brown eyes. That repressed ebullience would periodically percolate to the surface. But in general, something bothered him incessantly. Although he was a solid human being - generous, candid, and honorable - a melancholic mood followed him. I suspected he was grappling with a problem - not unlike my own - that refused to yield any solutions, difficult or otherwise.

In Victoria, one can find a rather eclectic shop in a hole-in-the-wall located at the heart of Fan Tan Alley. Fan Tan Alley doubles as a kitschy tourist site and an enduring reminder of racial segregation - the Alley, a narrow strip of an avenue in the heart of modern Chinatown, was at one point in the city's history the only place where Chinese could freely interact, which often was either gambling or the occasional puff in a clandestine opium den. But in modern Victoria, one can weave past the incense shop, the Antiques emporium. the insurance place, and find themselves inside a record store. Located in the very back corner of the record store is Irrelevant Questions Inc. It's run by a guy named Jeffrey Lee. You see, Jeffrey was trained as a software engineer at MIT and graduated with honors and the whole nine. He decided to start up a business alongside a few of his MIT chums; it was called, appropriately and pompously enough, Brilliant Solutions Ltd. Whether it was the luminosity of their MIT degrees or their attractive moniker, the business took off almost instantly, all the while, doing what is expected of those knee deep in the solutions racket.

All was well until one afternoon, Jeffrey, in the midst of a mesculin trip, stated in a business meeting, "Solutions aren't important. Fuck the solutions! What we need are questions. Lots of them! Ask them all the time and damn the solutions! Solutions only lead to shit and more shit. Just ask Dubya." Needless to say, his business partners - now leaders of industry, reputable businessmen, upstanding philanthropists and - hush hush - frequent patrons of Thailand's child brothels - were appalled by their colleagues suggestion. They quickly voted him off the board, bought out his shares, and went on their merry capitalist way. Jeffrey - never one to be discouraged - took his sizable buy-out, moved to Victoria, birthplace of his great great grandfather William, and was determined to get into the questions racket. He soon realized that people in the "real" and ostensibly practical world had no use for questions, i.e. they did not help the bottom line; therefore, they could not help one find a bigger house or a faster car or tighter whores. After a few months of sitting in an empty office at the corner of Wharf and Fort waiting for clients who never would come, Jeffrey decided to move to Fan Tan - which according to his father was where William found his fortune as a bootlegger.

Earlier, when I said hole-in-the-wall, it was not said jocularly or for the sake of metaphor. If one walks into the record store and goes in search of Jeffrey, you can find him in a hole in the wall, cut six by eight and six feet deep, sitting on a stool, arms rested on a foldable TV dinner table, with a pen and pad of paper prepared for anyone in search of questions. One day when I was looking for a Donna Summer vinyl - which was to go into a fire on an upcoming camping trip - I stumbled upon Jeffrey. I asked him a question, ironically enough, "What's your method for this gig?" He noted that since I gave him a freebie, he would respond in kind.

[blank]

Wherever he was, he continued to ask questions. But questions go unappreciated. The majority want to be left alone, undisturbed, jogging with an iPod around a beautiful lake, enjoying nature as a blur to be recorded by a mediocre photographic device, turned into slides, and shown to a pack of equally middling bores. While the dogwalkers and crosstrainers zipped by us, we sat on a bench overlooking Thetis Lake, waiting for an etiolated tree to die.

“A question, in most circumstances, disturbs. It challenges widely accepted and already established ideas and assumptions.” A solitary leaf fluttered slowly down towards us.

“But,” he continues, “we are trained to find answers, to purchase them if need be. This training and ostensible attainment of expertise is expected to produce solutions for everything.”

He continued to stare at the decaying spruce tree. We continued to wait for it to fall.

“We can’t solve anything. We can’t solve anything. We can’t save anything. It will all perish in the end.” He took out a yellowed piece of paper from his pant pocket. He opened his hand to show me it. It was a ticket to the 1900 World’s Fair.

“The twentieth century commenced with unlimited promise and boundless optimism. Enlightened industry and mechanized ideals aroused visions of a world that should be. Utopia, once thought inconceivable, was seemingly at arm’s length. Great Ideas, appropriated to achieve a final paradise - an end to struggle, to humiliation, to difference, and an end to history, provided final absolute solutions and demanded that fervently faithful disciples carry them to the finish. Questions that were posed without answer since the beginning of human civilization apparently were solved, once and for all, and ceaseless bloodshed was the price of this bargain.”

Branches began to crumble from the decaying spruce.

“They killed ambiguity for the sake of an Answer. They dissolved contradiction in human incinerators. They exalted then sacrificed Idea atop a pyre of bones and rotting sinew.” The tree was about to topple into the lake as he continued with his thought.

“It was an Answer, not a question, that justified genocide and collective suicide. In a world without questions, men topple tyranny to install tyranny, displacing one erroneous answer with another.” The spruce fell and sank into a watery grave, deteriorated roots still exposed. Unfazed by the majestic demise of the tree, he finished with a question.

“What’s a question worth if it cannot be sold?”

[blank]

When I hopped onto the last train before his shift ended, I saw him once again staring at the yellowed C-Train advertisement. This time around he was methodically stroking his gun, which had been removed from its holster.

Heartbreak a million times over (XI)

Most everything must be done many times over until its done right. Somebody told me that, possibly when I was very young, I really can't recall. Many times over, yep, a lazy man fears that saying. He wants it done, over with, to hell with whether its done right. The phrase many times over was probably first uttered in a Greek gymnasium, where men in the nude repeated exercises every morning. Labor Omnia Vincit - labour conquers all things, Virgil wrote. The joy of an activity came from repetition, from an artistic dedication towards crafting a better motion or artifice. Repetition was done for the sake of qualitative considerations. But somewhere along the way, probably on an assembly line, the phrase many times over became synonymous with the drudgery of modern life. Somewhere along the line, many times over became a program and lost any attachment to human joy. Many times over became, in the vernacular of the Occidental, a program, dedicated to quantitative considerations such as efficiency and profit. In a very real sense, repetition became a curse upon being appropriated by Taylor. In order to have a basic human existence - living, breathing, eating and etc., one was expected to block off more than half of their day to function as machines, simple and obedient parts of larger mechanisms. "This is my life," my uncle told me after outlining a day of work at the automobile factory; his voice, I remember, was tinged with a sad resignation, as if it could not be otherwise. When people ask me, "why did you study politics?", I recount the story of my uncle. And after I conclude, most nod and say they understood what I meant. I suspect most of them miss the point.

In modern life, the sources of human anxiety can be narrowed down to two things: labour and love. "To love and lost is better to have never loved at all" - the oft quoted line from Shakespeare - is the epigraph for loss in the world. Love is inextricably tied to the death we labour towards.

Heartbreak ceases with death - but so does joy, pleasure, and affection. Here's a platitude for you: love is meaningless absent of heartbreak; as is pleasure without pain; joy without agony, and so on and so forth.

Looking into Elizabeth's vibrant blue eyes, I pieced together our first encounter, on a playground - as I said before, much like the one that night. While playing during recess, she walked up to me, grabbed my hand, kissed me on my cheek, and said, "You're my boyfriend now." Since you, the reader, do not need to envision my decrepit adult self, be assured that I started my life as a beautiful child. It was a combination of complacency, an inexplicable addiction to boredom, and a general nihilism about the world - which evolved during my teenage years - that facilitated a slow stagnation and allowed abnormality to flourish.

Proper Scotsman

A proper Scotsman, I've been told, is a drunk one. But drunken Scotsmen are not unpleasant people. They are boisterous, festive, adventurous, and gregarious. They generously offer friendship and conversation until sobriety sets in. A proper Scotsman is one who loves people, especially those who flood in from all corners for drink and merriment. A proper Scotsman understands life and embraces it unconditionally. He welcomes challenge and conflict alongside more sensual pleasures. He shies away from no obstacle. He refuses to capitulate to petty and parochial conventions. He makes his own way. He seizes the day (carpe diem) and lives moment to moment - until sobriety sets in. A proper Scotsman is no stereotype. A proper Scotsman may the closest thing to an overman as we'll ever see.

Oolong and Vodka (X)

Dear Diary,

I am a dishonest man. I attempted an impossible transference in order to exorcise past demons. It worked, to an extent. I knew Alana. I knew what she would say. I also knew who I could attach her response to as well, that insufferable demon. I have done a magnificent job alienating those who I have encountered over my quarter-century on this planet. I yearned for an ever-elusive closure. Rather than continuing to struggle towards it, I constructed the end. First, I displaced my past with a hopeful future with Alana, a contemporary of past demons. I knew the deal. I saw the writing on the wall. I had to deceive myself; to construct an illusion that would leave some hope for an impossible dream - as I had in the past. I thought of her constantly, performing an odd alchemy: melding the dream of Vancouver Island to her, and displacing a lost fantasy with a 'resurrected' one. It worked to an extent. For a month, Alana displaced her place in those saccharine dripped illusions. I love Alana for that. I love her unwittingly flirtatious manner; how she unconsciously strung me along. But I'm a dupe that way. Part of me really wanted her; that part was the dupe. The other part wanted the scars and the eventual recovery; that was the schemer. The schemer won out, hopefully doing away with the dupe once and for all. Am I sad? A bit. Am I suicidal? Far from it. This is freedom. I am free again. I had to take that position of the jerk; the guy who goes after another guy's girl. I had to. The schemer needed a certain set of circumstances, and that September night laid it out quite precisely. Well, of course, the course of events was initiated far earlier, in 20--. I had mistaken the two fantasies long ago, the idyllic one and the alternate. Sorry to say, I even needed to drag Henry into it. The players of a past game had to return for its long awaited conclusion. Vince made a brief appearance as the soothsayer: he knew it was all going to end badly, even on that wretched night of oolong and vodka. That's all I needed. It was, if nothing else, a matter of repetition. I revisited the loathsome event, through a circuitous set of machinations. I could not stand its recollection; it had to be done away with. That email, ironically enough, is the new adaptation of THE letter. It was honest, and, well, better written. It laid out the things I wanted to say to her, and addressed them to Alana. Alana, good old reliable upstanding rationalist Alana, noted my apparent insanity; and the deed was done, the alchemy complete. The fact that she suspected that some sort of machination was happening was beautiful. She is smart as a tack sometimes. Alana is always enchanting, but I don't think I could ever stand her for more than a night. She craves normalcy, at least the appearance of being a very moral person – but underneath it she is a back scratching whore. Yes, there's something subtly superficial about her. But that applies to me as well. My superficiality is a matter of nerves and an irreparably damaged self-esteem. She wants normalcy a little too much. She embraces the stereotypes, but act as if there's something more to it. I can never understand my brief attraction. It may be that I reached the bottom of my rope and had to just cut the damn thing. The bottom of the barrel, the end, would have been to settle for an even more barren land than Alana. I love her nonetheless. I would have loved her real well, like I said, for one night. I stand here to confess that. If I were to proposition her for a night of unchained guilt-free passion, she would be repulsed, offended, but I suspect there is some part of her – however deeply repressed it may be – that would be intrigued if not oddly aroused. And I love that too. Maybe one day in a mutually vulnerable moment, it will happen and all demons will be exorcised. Hence, it has come back to the beginning. Alone and without prospects – I begin again. I feel nothing now - only the necessary emptiness to begin again. J.

Dear Diary,

A hundred and one failures before you find what you're looking for. A simple path to self-annihilation snakes to and fro. Self-esteem and self-confidence are terribly irrelevant at this juncture; they have perished long ago. You are a man without direction - failure your only telos. Go in search with a smile on your face for inevitable rejection. "No, you are not qualified. No, you're an ugly man. No, you're just not my type." Everybody has his or her excuses. Every sanctimonious word shrouds righteous narcissism with layer after layer of egalitarian airs. Everybody fucking lies; and worse of all, they lie indiscriminately, they lie constantly, they, masters of self-deception, convince themselves of a lie. They don't want to deal with me. I'm a fucking mongoloid, a degenerate, and a loser according their unctuous estimations.

I awake to nightmarish visions of her - those impossible images of us together again. Those images that never will be. I can't take it anymore. I want the scars to numb the pain. But the anesthesia has no affect. I'll tear out the sutures and let blood erupt from the wound. Bloodletting either allows an organism to heal or die silently. Those are the stakes; to die or to live again. I can't do either with her churning in my mind. Torment ravages me, the weak man in love with lovely impossibilities.

Fuck it. Forget everything I said. I love you. I love you still, -----. It’s always been you. This impossible love that shall go perpetually unrequited, this is what I feel for you. I want you. I want you in my lap, in my arms, in my bed. I want your lovely voice in my ear. I want your hand entwined with mine. I want you, body and soul. These impossibilities torment me. They ravage me. They threaten to destroy me. Time and again, I repress rather than express sanguine desire. I love you -----. I always will, as much as I have tried to convince myself otherwise. I love you, darling, now and forever - regardless of cruel circumstances that conspire to separate us. I can't deny it anymore. I am doomed without you.

This bland colourlessness is what passes for life, this wretched life without you. I'm stuck. I'm stuck to the memory of you. I'm stuck to an imagined and impossible us. I'm withering away. Freedom? Careless...I'm a moron...I can't do this...I can't act macho...I want you.

The transference was impossible; it failed miserably. The demon's grip is strong as ever.

I can't sleep. I know she will be there as I slip into slumber. Stay awake, stay away. Stay awake, stay away. Stay awake, stay away...

"Isn't it obvious? It's turtles all the way down."

Jorge

Just a thought...

Just a thought...

Goethe's Werther and Shakespeare's Hamlet are the two foremost comic characters in all of literature.

Cervantes' Don Quixote and Sancho Panza, the most tragic pair in all of letters?

What is tragedy? A man waits passively for the gatekeeper to open a door that shall remain forever closed.

Werther surely is not tragic. Werther is a fool - all men in love are fools. But a tragedy he is not. In the end, he shoots himself - unable to live without his Lotte. High comedy! Lotte is a mere daemon, no goddess. To kill oneself for a daemon, how absurd! Young Werther's letters to Wilhelm were merely gestural, a vain showcase of the heightened melodrama stirring within his intoxicated mind. A bumbling intoxicated fool can be nothing else but an amusing comedic spectacle. So to call Goethe's thinly veiled autobiographical work a great tragic novel does him a great disservice - he does go on to write his Faust and does not end up with a hole in his head. Goethe mocks his own moribund unrequited love - purportedly for a Charlotte Buff - through the comical confessions of Werther. Goethe confessed he felt a sense of freedom and deliverance upon completing Werther. Only a work of great comic resonance like Werther provides catharsis, while tragedy reinforces the obstinacy of melodrama. Werther is a most ingenious and subtle satire. So much so, that those who misread it as an endorsement of suicide and committed their own also misread it as a tragedy. So my friends, the next time you pick up Goethe's Werther, laugh along with the poet at an impossibly absurd and comic character - a man of unrequited love; for humourlessness is the height of blunt and uninteresting tragedy.

It's all academic (IX)

Academic. I despise that word and all its connotations. For three years, I mishaped myself in a misguided attempt at prostrating before exalted academic expectations. In order to fit an ideal-type of the academe, one attempts to fulfill criteria - most of which are matters of vain appearance, i.e. showcasing the front cover of a book nestled under one's arm to affirm one's "exceptional" academic tastes. In order to get laid, one suffers a similar vain neurosis.

As I sat on the swing looking at Elizabeth saunter back to me, I wondered if human attraction was simply academic. Tits. Asses. Thighs. Maybe even eyes. If a girl fits that criteria, most guys - once again, if you ask them honestly - would say she's worth a fuck. Yes, these ribald reflections are misogynist and mildly misanthropic; but alas, that's how the male mind thinks about sex. Sex ain't love and vice versa. Conversely, female thoughts about men, I suspect, are probably equally ribald. But speaking as a man, I can't confirm nor deny this suspicion.

The truth is a dark pallor looms over my observations of the world. I only see lack. Her absence forces me see the world without illusions. This "reality" yields morbid insights into the machination affectionately labeled human affection. From my voyeuristic observations of male-female interaction, women "love" men for the following reasons: 1) money; 2) status; 3) normalcy-security; 4) an undying belief that she can change him; 5) his body, dick included; 6) narcissism - any woman who reads In Style and GQ secretly desire homosexual men and end up together with metro sexual closet cases; 7) sheer desperation as they hear the biological clock tick towards its ultimate conclusion.

From what I can gather by sitting in a Starbucks or on a shopping mall bench; if the youth are the future, we are severely boned. Teenage girls are vain, self-absorbed, vindicative, spoiled, and vacuous creatures. Teenage boys are no better - preoccupied with, first, trying to fuck teenage girls, and, second, trying to preen and pose as tough suburban ghetto youth to massage their insecure egos as well as a means of furthering their hormonal pursuits. If these youth are the future, we are severely fucked. If these youth are the future, I'm pretty much ready to find a sturdy tree - unlike Gogo and Didi - tighten the noose and kick away the fucking chair.

Hell, maybe some nosy passerby with a camera phone could capture the sight of my dangling corpse and circulate it around the virtual universe to entertain the masses bored with repeats of their favorite TV show. Maybe some would catch a glimpse of my massive erection and would try like hell to repress necrophiliac desires for my cold dead schlong. Maybe some would recognize the tattoo on my left buttock of the Iron Lady with puckered luscious lips - if you didn't catch on, I would be stark naked (I mean what's the use of clothes when you're killing yourself) - and comment on the artistry of my buddy Pete's handiwork. Maybe a man of the cloth would say tsk tsk and tut tut, open the good book to say a prayer for a wretched soul, before telling little Timmy to drop his pants because the Lord has said he has been a naughty little boy. Maybe a woman somewhere, preparing for her wedding, sees the dangling corpse of her ex-lover, who killed himself because he could not bear a world without her. Maybe, just maybe, she might shed a tear. Maybe, just maybe, everything would rush back to her and she could feel something for the poor forgotten wretched soul. Maybe...

But, I don't think I have the gumption to hang myself. I've always been partial to the old Roman method - opened veins in a tub - or leave it to old reliable atrophy, accelerated by conscious complacency. But you can't have an awesome 15 second clip for either of those. A self-inflicted gunshot? Too messy. Plunging from a high rise? Too anonymous, too insignificant. A toaster in the bathtub? Might not work. Self-immolation? Far too melodramatic. Yes, the noose, baby, the noose. Nothing like it. Well, apart from a witch burning. There is nothing quite like a witch-burning. But a witch-burning can hardly be classified as suicide. Driving a car off the side of a cliff? Well, we have seen how ineffective that really is.

Well, you get the point. I see the world without illusions. A world without any illusions is a dark place, but surprisingly not humourless. Plus, I'm no longer interested in doing away with myself. My murderous intentions have become externalized - directed at a more worthy target.

Anyways, there was a unique way about how Elizabeth walks. She had a sensuous bounce that was accentuated with every step. But there was a definite softness to her steps, as if they belonged to a little girl. It was an odd combination. To be frank, I found her soft bouncy steps highly arousing. By the time she reached the swings again, I was ready to go. Of course, there was a lengthy exposition before the inevitable encounter.

Love you, Love you not (VIII)

We think we fall in love countless times in a day. In a lifetime, we, at least the honest few, fall in love only once and thats it. I fell in love with my beloved when I was seventeen. I fell in love with her just as she began to depart from my life. She moved on, but my heart refused me that luxury. I was in love - irrational, passionate, inexpressible, tormenting, ecstatic love. I fell in love once in my life and shall forever suffer it. I was a coward. I let an immature and pathetically saccharine love letter act as an inefficient surrogate. I should've acted. I should've poured myself out. I should've bared myself to her. I should've been honest. I should've told her. I should've shown her how much I loved her. That's all I have now: recollections, regret, and an infinitesimal impossibilities. What did not come to pass can only be expressed by those miserable lamentations: should've, could've, would've. These are the measureless sources of torment and their imagined fruition the sole source of joy.

Now, as I continue on with the sibboleth of unrequited love pressing on me, I am capable only of lust. Love lies in an interminable realm, a parallel universe, where the moon waltzes ceaslessly with the sun and I hold her in my arms while day blends seamlessly into night.

I was attracted to Elizabeth. She was a buxom blonde - statuteseque proportions blessed with a playful innocent energy. But I still loved my beloved. True, I wanted Elizabeth, but I knew - from that first (second) instant - I would never love her. You fall in love only once. Its the enduring greatness and ineluctable tragedy of human life.

Howling at a Starless Sky (VII)

As Jorge departed for another night of hopping C-Trains, I wandered to the playground near his apartment. It reminded me of the playgrounds of my youth - complete with rickety see-saws, old rusty slides, a fireman's pole, and a trio of swings dangling in wait of youthful ebullient bums. On this particular night, it was I - an old melancholic bum - who sat in the swing and gazed enviously at the night sky. Accursed stars. Damnable moonlight. All celestial voyeurs stealing glimpses of my beloved, while I'm left with mere thoughts and dreams and empty recollections.

I swung back and forth. With every rusted creak and squeak, the entire contraption sounded like it was on the verge of collapse. This cacophony depressed me; even the sounds of veritable collapse reminded me of her.

First image: a creaky bed.
Second image: squeaky clean kitchen floor.
Third image: muddy, dirty spot behind secluded bushes.

Random empty images was the only tie I had with her. And that deflating revelation filled me with melancholy. Staring above, I closed my eyes, and howled at the starless sky. My eyes opened to see the stars, the moon, and the wispy residue of clouds still hovering above. A sound then piqued my ears. It was a barely perceptible laughter, growing louder with every heartbeat. I looked around to search for a source, none to be found. So I craned my neck skywards once again and saw the moon cackle uncontrollably.

"Are you cracking up?" a voice asked.

"Maybe," I replied without seeing who asked. As the word left my lips, I tried to pull it back. Maybe was a reflex. Maybe was an instinctive reply. Maybe was indefinite. Maybe opened up interesting possibilities. Maybe was an honest answer, maybe.

From my periphery, I saw the girl walk to the swings. She twirled a few strands of her golden locks on her right index finger while contemplating which swing she wanted. She of course plopped into the one immediately adjacent to mine and leaned closer to whisper something into my ear.

"Maybe...maybe a kiss will patch you up." She kissed my earlobe with languorous affection and nestled closer. I was still fixed on the mocking moon and had yet to get a good look at her. The moon grew bored with me - as I was with it - and I turned to see her.

"You remember me, hun?" Her cadence was hopeful, yet self-assured, confident that a lost moment could recaptured. But I could not recall it and my blank glare caused her face to pale. Hope gave way to resignation and she got up to walk out of my life. She was no more than a few paces away when I remembered.

"Elizabeth?" She halted her retreat and turned around. Her face light back up - ebullient, radiant, and inconsolably ecstatic as I noticed, for the first time, how stunningly beautiful this creature was.

Infinite Beauty (VI)

I awoke later that afternoon sprawled supine on my new friend's couch. I stared at the specks of the cracking ceiling for the longest time. In the grander scheme, were we as insignificant as those specks - mere cosmic superfluity? Open eyes see all that this world has to offer; closed, they see dark infinity - simple, boundless, primordial emptiness. And, on top of that, closed eyes are left alone without distractions or illusions or crude bemusements. I closed my eyes and obsessed about the fragility of everything. I obsessed about abandonment. I obsessed about solitude. I obsessed about absurd cages and parochial universals. I obsessed about time, destiny, and infinite space. And I obsessed about her.

Dream: blank? No, no, her shimmering white dress is gently blown by a favonian breeze. The gust grows and lifts her dress to reveal her clean shorn vagina. My blinding enduring beauty - Agony and Ecstacy rush to her. Every detail, muscle, vessel, artery, gland, and every organ flashes onto my memory. "Explore me," she giggles with mischevious delight. Upon catching my furtive glance, she flees. I take off after her. She moves faster like a jet ready to take flight. I dig hard and continue the absurd exertion in spite of losing ground with every stride. She takes off and rises into the clouds. I soar in pursuit. Her laughter, a siren jet-stream, lures me and dares me to come closer. But I find myself at an ineluctable distance. And just as all appears lost and my love merely a fading dot in imagined sightlines, she halts abruptly. Absorbed in desperate pursuit, I fail to stop. I plunge headlong into her precious orifice. I am consumed; orgasmic spasms devour me. Her desperate cries - oh, my agonized beauty - echo in my ear as I awaken to colourless reality: a chipped white ceiling.

"What are you staring at?" Jorge asked quizzically.

"Nothing...and Everything." I replied.